Falstaff LSO LIVE RECORDING LONDON 05/23/2004

http://www.concertonet.com/scripts/review.php?ID_review=2461

Bülent Bendüz was a dashing, sweet-toned Fenton who made luscious music with Maria José Moreno’s Nannetta.

Reviews on LSO Falstaff Record

http://www.classicalsource.com/db_control/db_cd_review.php?id=2151

Both Maria Josè Moreno and Bülent Bezdüz are ideally cast as the young lovers, with Bezdüz having an especially attractive timbre. Their exchanges are both delightful and touching.

Guardian:LSO Falstaff

http://www.guardian.co.uk/arts/critic/review/0,1169,1219893,00.html

while Bulent Bezduz's matinee-idol Fenton is a real Romantic dreamer. Glorious, every single second of it.

Classical Source

http://www.classicalsource.com/db_control/db_concert_review.php?id=1853

Initially Maria Josè Moreno did not seem to project her character enough, although her interactions with Bülent Bezdüz’s ardent and lyrical Fenton were charmingly sung.

Portland Tribune

http://www.portlandtribune.com/archview.cgi?id=22745

Turk tenor relishes dying onstage

Lucrezia Borgia (Marseille-2002)

http://www.concertonet.com/scripts/review.php?ID_review=1748

Bülent Bezdüz, a young Turkish tenor whose youthful appearance was singularly appropriate for the role of Gennaro. The voice is light and easily produced, occasionally swamped by the torrents unleashed by the conductor, but leaving us eager to hear him again while hoping that he does not makes unwise choices of repertoire.

For more press releases visit: www.bulentbezduz.com